Skilled in a random array of things, like the Adobe Creative Suite (Photoshop, Illustrator, InDesign, Premiere, After Effects, Lightroom), Korean (native proficiency), printmaking (etching, relief, lithography, screenprinting), 2D & 3D animation (Dragonframe, Cinema 4d, other analog methods), letterpress, Risograph, papermaking, UI/UX (Figma), typeface design (Robofont), Procreate, digital & analog photography, ceramics, and more.
Features & Shows
︎Talinn Architecture Biennale (Forthcoming, Sep 2022)
︎The Leroy Neiman Fellowship at Ox-Bow School of Art (Forthcoming, Summer 2022)
︎Girls Night — 7 E 7th St., NYC (April 2022)
︎Fruit Flies — 41 Cooper Sq. Gallery (March 2022)
︎GDUSA 2022 Students to Watch
︎River Show — Flushing Meadows Corona Park (Aug 2021)
︎Studio Ouch! Gazette: Knickknacks (Nov 2020, Artist Feature)
︎See Music, Hear Art — Kaufman Dance Studio at The Juilliard School (Feb 2020)
Fruit Flies — Show Poster, Invitations & Signage, 2022
Poster and invitation (physical and digital) for my solo show, Fruit Flies, which showcased various paintings, posters, books, prints, ceramic pieces, and animations.
I Have Been Here Before — Show Poster, 2022
Risographed poster created in collaboration with artist Kailey Weaver for her solo show, I Have Been Here Before.
N-400: Application for Naturalization — Risographed Zine, 2021
The U.S. Immigration system is especially notorious for its hostile bureaucracy, as translated into and demonstrated by language used in various naturalization paraphernalia. This booklet consists of AI-generated narratives, derived from words and visual structures used within the N-400 Form and Preparing for the Naturalization Test: A Pocket Study Guide. 19 real immigration jargons were used to generate each fake narrative in this booklet. Collected by the Herb Lubalin Study Center of Design & Typography.
HUGO BALL(oons) — Balloon + Packaging, 2021
Each balloon contains a stanza from Karawane, a sound poem composed of meaningless sound-words by Hugo Ball. The balloons are to be popped in homage to the Dada movement’s rejection of language and logic in opposition to the brutalities of war.
A Thing About Things With Words — Chapbook, 2021
A bookmark-shaped chapbook composed of essays by Donald Barthelme, Georges Perec, Jhumpa Lahiri, and Nicholson Baker on their relationships to spoken and written words.
Gung-Ho — Website + Book, 2021
What if children were granted the right to carry in schools to protect themselves from mass gun violence? If so, what kinds of materials would help children understand guns as a friendly object, rather than the killing machine it is? This satirical project is conceived around a series of what-if’s surrounding the topic of school shootings to create a sense of discomfort around the presence of guns around schoolchildren. View full website prototype here.
Shiny Streets of Grime — Poster, 2021
Poster created for PHxCollege’s screen printing demo withBushwick Print Lab, inspired byThe Push Pin Legacyexhibit at Poster House, which was on view during the event. In-process shots byAaron Cohen. Collected by the Poster House permanent collection.
Americanah — Book Cover, 2021
Book cover design concept for Chimamanda Ngozi Adichie’s 2013 novel, Americanah.
Modular Emotions — Book, 2021
A screenprinted book that depicts various emotions through combinations of gridded icons. The modularity of the icons, as well as the form of the book itself, explores the fluidity and in-betwenness of emotions.
Fish Series — Poster, 2020
Series of three posters created to pay homage to the fishes my mother used to pack in my lunches, which elicited strange stares from my peers in a dingy, American elementary school cafeteria.
The Bermuda Triangle — Branding, 2021
Speculative identity concept for The Bermuda Triangle, a location in the Caribbeans notorious for missing flights and shipwrecks, as a travel agency.
Funeral Unknown — Zine, 2021
A screenprinted zine about specific funeral rituals, sounds, and objects that explores the fragmented reality of grief.
CUSAI 2021 — Branding, 2021
Cooper Union Summer Art Intensive (CUSAI) is a high school pre-college summer program hosted by The Cooper Union School of Art. The visual identity, which is composed of a funky typeface, Fuhgeddaboudit, and swooshes of airbrush-like strokes, was created with the intention of piquing the interests of high school students who are interested in studying fine arts, design, and animation in a collegiate setting for the summer.
